Guy Johnston Cello

Described as “one of the most exciting and versatile British cellists of his generation” (The Strad), Guy Johnston says hard work and dedication are the key components to the success of a classical musician.

At 36 years old, this celebrated English cellist has enjoyed a highly successful international career as a soloist and chamber musician and currently serves as a Professor of Cello at the Royal Academy of Music in London.

The BBC Young Musician of the Year, the Shell London Symphony Orchestra Gerald MacDonald Award-winner and a Classical Brit, he has performed with many leading international orchestras and his mentors have included some of the biggest names in the business.

Guy is highly praised for his “distinctive” style and his masterful and lively interpretation of the music and, while staying as close as possible to the composer’s intentions, delivers each piece with a personal and fresh approach. He said: “Understanding the shape of a piece through its contrasting themes and characters, just like in a book or play, is a fun process.

“Forgetting how you have learned a piece can bring more freedom in the moment, but of course there needs to be a deep layer of understanding in order to bring out the inner life of the music.”

Guy was born into a musical household. His parents, who are both musicians, run the school Musicale in Harpenden, where he grew up with his three other siblings.

He said: “Music was always happening around the house and inevitably it rubbed off on all of us. One day, when I was around 15 on a train to Chetham’s in Manchester, a man said to me, ‘What religion is that?’ while I was looking at some music! I couldn’t believe that not everybody on this planet are musicians!

“Music is a great source of inspiration every day and I don’t know where I’d be without it. Travelling, meeting people, playing all this great music teaches you a lot about yourself and humanity. It is challenging and rewarding on every level.”

Guy has enjoyed many career highlights which started with his BBC award in 2000. “I’ve been very lucky, but I’ve had to work hard for my luck,” he explained. “Winning the BBC Young Musician competition propelled me into the professional musical scene and I was fortunate to open the Proms with the Elgar Concerto the following year and more recently return with a new cello concerto by Charlotte Bray.

“I’m in the process of releasing a delightful disc celebrating the 300th anniversary of my cello which was made in Rome where I recorded with the acclaimed Accademia di Santa Cecilia.”

In addition to a busy and versatile career as an international soloist, chamber musician and guest principal, Guy is an inspiring leader of young musicians.

He said: “I think musicians will always have to work hard to keep music alive, particularly as it isn’t always available in schools. I have a chamber music festival at Hatfield House and this year we have 300 school children coming to an education concert. This makes me very happy!

“We also need to work hard at keeping new music alive, commissioning composers to create new music and convincing promoters to programme more diverse repertoire.”

His advice to young musicians is to stick at it and learn from mistakes made: “I often hear the saying 90% perspiration, 10% inspiration,” he said. “Stick at it! Concentrate as best you can when you are alone working. Know what you need to focus on and have ambition.

“Learn from your mistakes. You must love music to stay in this turbulent profession and always remember why you are doing what you’re doing. Learn from your colleagues and be inspired by them and the music.

“Enjoy and have fun! Work hard when you’re younger as you have more time then. Seek out the best teacher for you and find friends that you enjoy playing with. Have things to aim towards, whether it be a local competition or private concert or whatever to look forward to.”

Guy comes to Dumfries and Galloway as part of this year’s Absolute Classics Festival when, accompanied by Simon Callaghan on piano, he will give a concert, specially tailored for the region’s audiences, in the Theatre Royal, Dumfries, on Wednesday, 16 August at 7.30pm.

He said: “We have included one of Beethoven’s best-known chamber works, his A Major Sonata Op. 69, alongside lesser known gems by Rachmaninov, Scriabin, Prokofiev and Sibelius. I would be surprised if the audience knows more than half this programme, particularly the Cantique and Devotion by Sibelius. I was blown away by these the first time I heard them.”

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